Amon nos autes (CH/BE), multimedia installation, 5 videos, 3 slides, 2 photographies, 2024



For this multimedia installation, Marnie tackles questions of destruction, reconstruction, unreality, the group and the individual through three serial pieces. The starting point is the July 2021 floods in Belgium. After research and location scouting, the duo focus on the emergence of a matriarchal society in a post-apocalyptic context. The videos are conceived as a journey to the heart of the event. Their brevity contrasts with the scale of the catastrophe, leaving plenty of room for the viewer’s imagination and projection. Marnie’s aim is less to deal with the floods as a disaster than to show the transformation of the people affected. The videos move back and forth between the individual and the group: the personal impact and the possibility of emancipation within the community. In the majority of these videos, it is women who testify or speak out. Their aim is to show the resilience and strength of character that is evident in many female figures.



Diffusion
︎︎︎ Marnie Vol. II : Amon nos autes
Biennale de l’Image Possible 2024, Liège, Belgium
March 13th 2024 - June 1st 2024
Curation : Biennale de l’image Possible











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